Sculpture Archives - Europac3D https://europac3d.com/category/case-study/sculpture/ 3D Printing Service UK, 3D Scanning Services, Artec3D Scanners, Kreon CMM Arms, Uniontech SLA 3d Printers Fri, 10 Apr 2020 10:07:20 +0000 en-GB hourly 1 https://wordpress.org/?v=6.5.3 https://europac3d.com/wp-content/uploads/2024/02/cropped-Europac3D_3DPrintworx-32x32.webp Sculpture Archives - Europac3D https://europac3d.com/category/case-study/sculpture/ 32 32 3D Scanning and Printing a Bainbridge Water Fountain https://europac3d.com/3d-scan-bainbridge-water-fountain/?utm_source=rss&utm_medium=rss&utm_campaign=3d-scan-bainbridge-water-fountain&utm_source=rss&utm_medium=rss&utm_campaign=3d-scan-bainbridge-water-fountain Mon, 17 Jul 2017 11:11:42 +0000 https://europac3d.com/?p=1407 Artec 3d scanners combine to create 3D model of Bainbridge water fountain

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CASE STUDY

3D Scanning and Printing a Bainbridge Water Fountain


Europac 3D was recently tasked with assisting a restoration specialist, Lost Art, to replicate a famous water fountain in Teesdale, Cumbria for a client who wanted to reproduce the piece in its full glory.

The scan needed to be carried out carefully to avoid any further damage to the fountain. This is where Europac 3D came into action with a unique combination of using Artec Eva and Artec Spider 3d scanners to capture the unique shape and dimensions of the water fountain.



The pair of scanners were particularly adept at scanning the fountain, being able to scan outside on a sunny day without any loss of accuracy or capture quality. They were used with a battery pack, which allowed for easy set up next to the fountain and freedom of movement, allowing for the operator to walk freely around the fountain with either of the handheld scanners.

The Artec Eva with its larger field of view was used to capture the larger smoother surfaces of the fountain sculpture, while the Spider was used to capture the detailed intricate parts. Both scans were captured in Artec Studio 12 software and the two sets of data were ‘married’ together to produce a watertight triangulated surface mesh. A unique feature of the Artec Studio 12 software allows for scans from different devices to be combined into one common point cloud and then merged to create a 3D model exactly as the client requested.

The 3D model was then printed in full-size in a ceramic plastic material using a Uniontech Pro Series 3d printer. The restoration artist was then able to add additional details and features such as intricate leaf details that had worn away from the original fountain

The final product was then cast in bronze using the 3d print as a mould template – Creating a new-meets-old final product of the famous Bainbridge water fountain for the client’s personal collection.

For more information please get in touch

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]]> 3D Scanning at the Sir John Soane’s Museum https://europac3d.com/3d-scanning-sir-john-soane-museum/?utm_source=rss&utm_medium=rss&utm_campaign=3d-scanning-sir-john-soane-museum&utm_source=rss&utm_medium=rss&utm_campaign=3d-scanning-sir-john-soane-museum Tue, 11 Apr 2017 15:01:04 +0000 https://europac3d.com/?post_type=portfolio&p=198 The Royal College of Art and Sir John Soane’s Museum in London have collaborated with Europac 3D

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3D Scanning Videos


CASE STUDY

3D Scanning at the Sir John Soane’s Museum


The Royal College of Art and Sir John Soane’s Museum in London have collaborated with Europac3D on a ‘Digital Soane’ competition which involved 3D scanning some of the Museum’s amazing artefacts, including the bust of the man himself which sits in one of the main galleries.



With a drop of around 20 feet below the bust down to a priceless sarcophagus and strict instructions not to touch the bust itself or any of the surrounding artefacts, we had a particularly interesting challenge trying to capture all the detail of the bust whilst being aware of trailing wires and balancing on stepladders to reach the top of the head.

Everything passed off without incident thanks to a careful approach and the kind assistance of the Museum staff. We used a combination of Artec Eva and Artec Spider 3D scanners to capture the bust data. The Spider scanner was used to capture the highly detailed text inscription, while the Eva was used to capture the larger smoother areas on the bust. The two sets of scans were combined inside of Artec Studio software to produce and extremely accurate 3d model of the bust in full colour

Sir John Soane (1753-1837) was a London architect most famous for his design of the original Bank of England building, much of which has now been replaced. He was also Professor of Architecture and an Academian at the Royal Academy. His home and office in Lincoln’s Inn Field became a resting place for much of his extensive art collection and in 1833, he bequeathed his home and collection to the nation. More information can be found at www.soane.org

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